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2.0
FLOTSAM & JETSAMRats in the Temple
A bloated, repetitive slog through turgid and weary tropes that fails to find a single compelling melody amidst the grime.
2.0
DEEP PURPLE=1
A lackluster collection that trades the band's signature grit for hollow polish.
2.0
MINISTRYHOPIUMFORTHEMASSES
Ministry trades their industrial teeth for a numbing, industrial-lite sedative that feels less like a revolution and more like a retreat.
2.0
ORBIT CULTUREDescent
A bloated, muddy excursion into generic melodic death metal where technical proficiency is squandered on over-indulgent compositions.
2.0
DISFIGURING THE GODDESSBloom
A fractured, identity-less journey through the lowest common denominators of modern extreme metal.
2.0
SOILAMB‐02
A bloated, directionless excursion into alternative metal mulch that offers all the thrills of a damp sponge.
2.0
FUTURE PALACEResurgence
Future Palace delivers a glossy, hollow collection of tropes that mistakes high production values for actual musical substance.
2.0
UNPROCESSEDAngel
A bloated, identity-less odyssey that mistakes progressive complexity for depth and replaces genuine conviction with hollow aesthetic choices.
2.0
SLAUGHTER TO PREVAILGRIZZLY
A bloated, identity-confused slog that trades artistic integrity for hollow, nu-metal influenced posturing.
2.0
BLOODYWOODNu Delhi
Bloodywood's latest offering loses its cultural potency in a sea of over-polished production and identity confusion.
2.0
CASTLE RATThe Bestiary
A bloated, aimless slog through a fantasy wasteland that sacrifices heavy metal weight for hollow theatricality.
2.0
CYAN KICKSCome Hell, Come High Water
Cyan Kicks' debut is a frustrating exercise in overblown ideas and sloppy execution; it drowns rather than delivers.
2.0
AVANTASIAThe Metal Opera
Avantasia’s debut metal opera buries a few decent power metal hooks beneath stiff narration, generic writing and exhausting theatrical excess.