Everyone's A Murderer

In an era where deathcore often feels like a sterile exercise in production sheen and predictable breakdown templates, To The Grave arrive like a brick through a stained-glass window. Their debut, 'Everyone's A Murderer', is a jagged, uncompromising slab of sonic violence that demands your attention and refuses to offer any apologies for its brutality. It is rare to find a band that manages to balance the technicality of the genre with the raw, unwashed aggression of hardcore, but here, the fusion feels organic rather than forced.

From the opening moments of 'Set Yourself On Fire (In Public)', it is clear that this isn't a band interested in seeking approval from the mainstream. The production is thick and suffocating, yet it never muddies the sharp, percussive strikes of the percussion. The guitars don't just roar; they lacerate. There is a palpable sense of danger in the way the riffs are constructed, eschewing the 'safe' notes for something far more unpredictable and punishing. It is a refreshing change of pace from the polished, over-produced offerings that usually clog the airwaves.

To The Grave don't just play heavy; they deliver a serrated blade to the throat of the genre's bloated clichés.

Moving into 'DxE Or Die' and 'A Body For A Body', the band establishes a relentless momentum. The songwriting is lean and mean, cutting out the fat to ensure every beat hits with maximum impact. There is a distinct sense of urgency here; the songs don't meander, they charge forward like a panicked stampede. The transition between the crushing weight of the breakdowns and the blistering speed of the hardcore-inspired sections is seamless, creating a dynamic that keeps the listener in a state of constant, high-alert tension.

'Burn Your Local Butcher' and 'Vegan Day Of Violence' showcase the band's ability to weave atmosphere into their aggression. These aren't just bangers; they are calculated strikes. The riffs have a jagged, industrial edge that feels almost uncomfortable to listen to—in the best possible way. It's the kind of music that makes you want to put your head through a wall, not because it's catchy, but because it's honest. They aren't trying to be the next big thing; they are trying to be the loudest, most uncompromising thing in the room.

As the album progresses into 'Gascamber P.T.' and 'Made In Aus', the technicality begins to shine through without becoming a display of vanity. The drumming is phenomenal, providing a backbone of sheer power that anchors the chaotic energy of the guitars. It's easy to get lost in the technicality of modern deathcore, but To The Grave keep their feet firmly planted in the dirt. They understand that the power comes from the weight of the hit, not just the complexity of the note.

'Eight Four One Six' and 'Terrormilitary' provide a grim, grinding experience that feels like a descent into a concrete bunker. The atmosphere is oppressive, and the riffs are cavernous. It's here that the band's identity as 'underground' survivors becomes clear. They aren't chasing trends; they are perfecting a craft that prioritises the visceral over the aesthetic. Every note feels like it was forged in a furnace and hammered into shape by someone with a grudge.

Closing out with 'Dead Wrong', the album ends on a note of absolute finality. It is a punishing, relentless conclusion that leaves the listener breathless. 'Everyone's A Murderer' is a rare gem in the current landscape—a record that takes the tropes of deathcore and strips them back until only the raw, bleeding nerves remain. It is punishing, intelligent, and utterly uncompromising. To The Grave have delivered a masterpiece of modern extremity.

Ultimately, this is a record for those who want their music to hurt. It doesn't care about your feelings or your comfort zone. It is a jagged, uncompromising piece of art that rewards those willing to endure its brutality. In a sea of clones, To The Grave have carved out a space of their own, built on the foundations of pure, unadulterated noise. It is a triumph of the underground, and a definitive statement of intent.