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Extermination Dismemberment — Dehumanization Protocol album artwork 7.0
REVIEWS

EXTERMINATION DISMEMBERMENTDehumanization Protocol

A punishing slab of slam death metal that balances industrial grit with cavernous weight.

BY JONAS NYSTRöM
Distant — Tyrannotophia (Redux) album artwork 10.0
REVIEWS

DISTANTTyrannotophia (Redux)

A haunting, meticulously textured evolution of downtempo deathcore that finds the space between brutality and beauty.

BY SOFIA LINDHOLM
To The Grave — Director's Cuts album artwork 5.0
REVIEWS

TO THE GRAVEDirector's Cuts

A clinical, punishing display of deathcore that prioritises precision over pyrotechnics, resulting in a cold, calculated sonic assault.

BY SOFIA LINDHOLM
PeelingFlesh — The G Code (Crunk Edition) album artwork 7.0
REVIEWS

PEELINGFLESHThe G Code (Crunk Edition)

PeelingFlesh delivers a heavy, plodding slab of slam death metal that prioritises low-end weight over surgical precision.

BY ANJA KOVAč
PeelingFlesh — PF Radio 2 (Slowed) album artwork 1.0
REVIEWS

PEELINGFLESHPF Radio 2 (Slowed)

A murky, dragging exercise in and out of nothingness that fails to justify its sluggish tempo.

BY SOFIA LINDHOLM
To The Grave — Everyone's A Murderer album artwork 10.0
REVIEWS

TO THE GRAVEEveryone's A Murderer

A masterclass in visceral, uncompromising deathcore that strips away the polish to reveal the raw, jagged nerves of the underground.

BY MAREK VARGA
Vulvodynia — Entabeni album artwork 1.0
REVIEWS

VULVODYNIAEntabeni

A chaotic, over-produced cacophony that mistakes sheer velocity for technical proficiency.

BY LUKAS HARTMANN
A Night In Texas — Digital Apocalypse album artwork 8.0
REVIEWS

A NIGHT IN TEXASDigital Apocalypse

A high-octane, precision-engineered slab of deathcore that swaps hollow synth-glitz for punishing, machine-driven weight.

BY ANJA KOVAč
Extermination Dismemberment — Butcher Basement (Revamped) album artwork 8.0
REVIEWS

EXTERMINATION DISMEMBERMENTButcher Basement (Revamped)

A masterclass in slam death metal architecture, where raw violence meets clinical production.

BY LUKAS HARTMANN