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Iapetus — The Mother Void album artwork 3.0
REVIEWS

IAPETUSThe Mother Void

Iapetus wanders into a hollow, atmospheric maze where the distinction between cosmic scale and genuine conviction becomes blurred.

Stoned Jesus — Songs to Moon album artwork 3.0
REVIEWS

STONED JESUSSongs to Moon

Stoned Jesus trade visceral grit for a hazy, synth-tinged atmosphere that ultimately feels more sedated than soaring.

Calva Louise — Over The Threshold album artwork 3.0
REVIEWS

CALVA LOUISEOver The Threshold

Calva Louise attempts a weighty political statement on 'Over The Threshold', but the heavy execution often feels muffled by its own ambition.

Battlesnake — The Rise And Demise Of The Motorsteeple album artwork 3.0
REVIEWS

BATTLESNAKEThe Rise And Demise Of The Motorsteeple

Battlesnake offers a gritty, if somewhat uninspired, trek through traditional heavy metal landscapes.

Hippotraktor — Annihilist album artwork 3.0
REVIEWS

HIPPOTRAKTORAnnihilist

A sprawling, ambition-heavy slab of post-metal that ultimately buckles under the weight of its own lofty abstractions.

Deathchant — KOVA album artwork 3.0
REVIEWS

DEATHCHANTKOVA

Deathchant swaps muscular metal for aimless, psychedelic wanderings on KOVA, ultimately sacrificing momentum for atmospheric indulgence.

Wolves At The Gate — Lost In Translation album artwork 3.0
REVIEWS

WOLVES AT THE GATELost In Translation

Wolves At The Gate offer a polished but ultimately driftless collection of metalcore that prioritises safety over sonic identity.

Wings of Steel — Gates of Twilight album artwork 3.0
REVIEWS

WINGS OF STEELGates of Twilight

A glossy, hollow trek through the tropes of traditional metal that fails to find a single spark of genuine danger.

Temple of Void — The Crawl album artwork 3.0
REVIEWS

TEMPLE OF VOIDThe Crawl

A sluggish, suffocating slog through the mud of death-doom that sacrifices intensity for atmosphere.

Kamelot — Dark Asylum album artwork 3.0
REVIEWS

KAMELOTDark Asylum

Kamelot deliver a lush, symphonic odyssey that feels more like a gilded cage than a journey of liberation.

Accept — Teutonic Titans 1976-2026 album artwork 3.0
REVIEWS

ACCEPTTeutonic Titans 1976-2026

A sprawling anthology that sacrifices cohesive identity for an overblown, star-studded guester-fest.

Myrath — Karma album artwork 3.0
REVIEWS

MYRATHKarma

A drift into Oriental Metal where the intricate tapestry of texture is occasionally lost to its own ambition.

Flotsam & Jetsam — I Am The Weapon album artwork 3.0
REVIEWS

FLOTSAM & JETSAMI Am The Weapon

Flotsam & Jetsam offer a polished but pedestrian outing that sacrifices raw energy for safe, mid-tempo grandiosity.

Turnstile — NEVER ENOUGH album artwork 3.0
REVIEWS

TURNSTILENEVER ENOUGH

Turnstile trades their signature high-octane urgency for a bloated, over-produced sprawl that loses the plot halfway through.

Deftones — private music album artwork 3.0
REVIEWS

DEFTONESprivate music

A haunting, hollow echo of the band's peak atmosphere, 'private music' feels like a dream of a masterpiece rather than one.

BRAT — Social Grace album artwork 3.0
REVIEWS

BRATSocial Grace

A jagged, identity-seeking descent into the friction between personal ego and public performance.

NOTHING MORE — CARNAL album artwork 3.0
REVIEWS

NOTHING MORECARNAL

A fractured collection of polished, identity-blurred anthems that prioritises radio-ready hooks over organic musical integrity.

Visions of Atlantis — Pirates II - Armada album artwork 3.0
REVIEWS

VISIONS OF ATLANTISPirates II - Armada

While ambitious, 'Pirates II - Armada' feels more like a bloated exercise in symphonic tropes than a true seafaring epic.

Paradise Lost — Icon 30 album artwork 3.0
REVIEWS

PARADISE LOSTIcon 30

While the veterans remain masters of atmosphere, Icon 30 feels like an album content to sit on their legacy rather than build upon it.

Amaranthe — The Catalyst album artwork 3.0
REVIEWS

AMARANTHEThe Catalyst

A bloated, directionless excursion that loses the spark of its metal roots in a sea of generic electronic wash.