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ALBUM REVIEW

Powerwolf

Call Of The Wild (Deluxe Version)

BY INêS DUARTE
Album artwork via Spotify.
Album artwork via Spotify.

Call of the Wild works best when Powerwolf treat excess as motion. The main album is full of charging rhythms, choral hooks, organ textures and vocal lines shaped for immediate communal response. In its standard form, that machinery is efficient enough to make repetition feel like ritual. The deluxe edition stretches the same language across more than two hours, and ritual eventually becomes routine.

The wolves arrive with fire, choirs and paperwork: the main album thrills, the appendices exhaust.

“Faster Than the Flame” is a strong opening because its speed gives the arrangement urgency. The keyboards brighten the edges, the guitars maintain a firm rhythmic spine, and the chorus arrives with genuine lift. “Beast of Gévaudan” is heavier and more atmospheric, while “Dancing with the Dead” uses a cleaner melodic contour to create one of the album’s most memorable refrains.

“Varcolac” and “Blood for Blood” show the band’s ability to give familiar structures distinct personalities. The former leans into darker harmonic movement; the latter uses folk-colored rhythm and vocal phrasing to create a more physical pulse. “Alive or Undead” supplies contrast through a slower, more reflective shape, though Powerwolf’s polished production prevents the song from ever feeling truly fragile.

The main album remains inconsistent. “Glaubenskraft” has force but little surprise, and “Undress to Confess” relies too heavily on the band’s established lyrical and rhythmic gestures. “Sermon of Swords” is more convincing because the riffs drive the arrangement rather than merely supporting the vocal hook. “Reverent of Rats” closes with appropriate theatrical weight.

The additional material is where the edition loses discipline. Revisited songs and orchestral versions demonstrate how carefully the melodies are constructed, but hearing the same material repeatedly exposes the narrowness of the underlying templates. The orchestral arrangements add size without substantially changing the emotional meaning. What initially sounded ceremonial begins to feel catalogued.

There is still plenty to enjoy. Powerwolf understand pacing within individual songs, and their choruses are designed with formidable precision. The problem is scale. A forty-minute album of concentrated theatrical metal becomes a two-hour document of every available variation. The deluxe edition offers value in the literal sense, but not necessarily in the artistic one. The main record howls; the extras keep explaining the howl after everyone has already heard it.

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