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REVIEW

Defects

Artificial Icons

BY JONAS NYSTRöM
Defects — Artificial Icons album artwork
Defects — Artificial Icons album artwork

When it comes to contemporary metal, the line between 'heavy' and 'hooky' can often become blurred by poor production or aimless wandering. With 'Artificial Icons', the British outfit Defects seem to have found a very precise sweet spot. They aren't interested in punishing the listener with aimless noise; instead, they treat the studio like a laboratory, refining each melody until it shines. It is a sophisticated effort that prioritises the listener's journey, ensuring that the heaviness always serves the song rather than the other way around.

From the opening title track, it is clear that the production team and the band are in perfect synchrony. The mix is expansive, giving the guitars enough room to breathe while ensuring the vocal melodies remain front and centre. For those of us who appreciate a producer's touch, the clarity of the low-end is particularly satisfying. It provides a solid foundation for the more ethereal elements of the record, such as the shimmering keyboard textures that weave through the arrangements like ghost threads.

A well-sculpted piece of modern metal that understands the power of a soaring hook and a disciplined mix.

'Heresy' and 'Where Did I Go Wrong' establish the blueprint for the album: a commitment to melody-first construction. The guitar harmonies are not merely thrown together; they are layered with intent, creating a lush, wall-of-sound effect that doesn't descend into mud. There is a palpable sense of craftsmanship here. The band knows when to let a riff breathe and when to tighten the screws, avoiding the common trap of over-indulgence that plagues many of their contemporaries.

One of the stand-out moments is undoubtedly 'Signs', featuring the unmistakable guest turn of Matthew K. Heafy. His involvement adds a layer of grit and authority, but more importantly, it highlights the track's infectious hook. The interplay between the guest vocals and the core melodies is seamless. It serves as a testament to the song's structural integrity; even with a heavy hitter joining the fray, the song remains grounded in its melodic identity rather than becoming a mere spectacle.

Midway through, the 'Interlude' provides a much-needed palette cleanser. In an era where long runtimes can often lead to listener fatigue, these moments of reprieve are essential. They allow the atmosphere to shift, moving the listener from the high-octane energy of the previous tracks into a more contemplative space. It keeps the 44-minute runtime feeling intentional rather than bloated, ensuring each movement of the album feels like a deliberate choice.

'Critic' and 'State of Mind' showcase the band's ability to craft compelling hooks that stick in the brain long after the track ends. There is a clever use of recurring motifs throughout the album—subtle sonic signatures that reappear just as you think you've forgotten them. This consistency creates a cohesive listening experience, making 'Artificial Icons' feel like a unified body of work rather than a collection of disconnected singles.

As the album moves into its final act with 'Hollow' and 'The Other Side', the dynamics begin to shift toward the atmospheric. These tracks lean into the 'Artificial' element of the title, using evocative textures to build a sense of yearning. The transition into 'All For Nothing' and the closing 'Afterglow' provides a graceful deceleration. The final moments of the album leave the listener in a state of calm, a stark contrast to the metallic roar of the opening notes.

'Artificial Icons' is a polished, highly competent effort that will appeal to those who crave melody and production value over raw, unrefined aggression. While it might not reinvent the wheel of the genre, it perfects the machine. The band has delivered a professional, well-balanced, and undeniably catchy piece of heavy music that respects the traditions of the craft while polishing them to a mirror finish.

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